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Writing Your Own Obituary

September 21, 2020

“It pains me to admit this, but apparently, I have passed away.”  ~ Emily Phillips

The first known obituary dates back to about 60 BC, found carved into the stone and metal tablets hung in the Forum of Julius Caesar’s ancient Rome. The obits section of these “early newspapers” was considered part of Rome’s social news, listed alongside gladiator battle results and notable marriage announcements. 

In the 1600s in London, England, a weekly Bill of Mortality was issued, informing citizens of the scores of deaths attributed to plague, tuberculosis, tooth and worms, scurvy, measles, lethargy, grief, fainting, excessive drinking, smothering, fright, and even “lunatick.”

In the 1800s in America, journalists began imbuing their reported deaths with more description and storytelling, often attributing much “bravery” to departed men and “gentleness” to departed women. 

During the Industrial Revolution of the early 1900s, obituaries began focusing more on the deceased’s legacy of professional accomplishments, specifically the amount of money they’d earned in their career and the number of years they’d worked. *

Today, most obituaries are written by the family members of the deceased, rather than by journalists. While many obituaries continue to embrace the traditional formula of presenting biographical details, achievements, and lists of family names, others are becoming increasingly personal, choosing to explore and reveal a deeper essence and meaning of the deceased’s life.

More radical still, are the autobiographical obituaries, which offer the writer a chance to share with the world special messages, including life lessons, memories they hold dear, and gratitude for others.

Tips for Writing Your Own Obituary

  • Check the costs and restrictions of newspapers or websites where you might like to publish your obituary. Many print publications charge hundreds or thousands of dollars for a 300-500 word obituary. Find out if the publication accepts self-written obituaries, if they have style guidelines, if the newspaper staff writes the obituaries themselves, or if they only accept submissions from a funeral home.
  • Just start somewhere, and let it be an unfolding, organic, imperfect process. You cannot shape something that doesn’t exist. Write first, then revise again and again. Writing starts to look like writing only during editing.
  • Begin with a template, including details such as:
    • Your name, city and state of residence, date of birth and death (to be filled in by a family member after your passing), city and state of birth, and names of your parents.
    • Names of surviving and preceded-in-death family members.
    • Basic historical timeline of your life, including schools attended, places of residency, military service, employment history, organizations belonged to, etc.
  • Then move deeper, exploring:
    • Pleasures
    • Insights
    • Confessions
    • Regrets
    • Thank you’s
    • Memories
    • Questions
    • Lessons learned
    • Impact on the lives around you
    • Messages for the living
    • What you know for sure

“Obits have next to nothing to do with death and in fact absolutely everything to do with life.” ~ Margalit Fox, Senior Obits Writer for the New York Times

Here are some examples of enlivened obituaries that might prove inspirational. Happy reading, happy writing, and happy living.

* Referenced from a 2015 article written by Melissa Batchelor Warnke, titled “The Evolving Obituary,” and published by Pacific Standard.

July 20, 2024
Written by our in-house Grief Counselor, Amanda Nelsen.
March 31, 2021
In the last few paragraphs of Greg McKeown’s book, Essentialism: The Disciplined Pursuit of Less , the author tells a heartbreaking story of a man whose three-year-old daughter has died. The father wished to put together a slideshow of her little life to play at her funeral. He had documented on his camera every outing he’d ever taken with his daughter, and he had hours of footage. But as he scrolled through the thousands of photos and videos, he realized, with growing alarm, that nearly all the images he had captured were of the sights, views, meals, and landmarks of their trips. He had practically no close-up images of his daughter. He had failed to recognize what was essential in his life until she was gone.
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Dear Ted,
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The Guest House This being human is a guest house.Every morning a new arrival.A joy, a depression, a meanness,some momentary awareness comesas an unexpected visitor.Welcome and entertain them all!Even if they are a crowd of sorrows,who violently sweep your houseempty of its furniture,still, treat each guest honorably.He may be clearing you outfor some new delight.The dark thought, the shame, the malice.meet them at the door laughing and invite them in.Be grateful for whatever comes.because each has been sentas a guide from beyond.— Jellaludin Rumi, translated into English by Coleman Barks
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The visceral experience of grief within one’s body, mind, and soul has often been compared to weather phenomena: a tidal wave, a raging storm, or even a gentle breeze.
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